I live in Canada. No, I don’t live in an igloo. I like to be warm. For me, warm is even a priority. I can tolerate almost any conditions, if I’m warm enough. Being warm makes me happy. Considering warm is a priority, you can only imagine my excitement when I met Vivian George, the creator of TOAST SKIRTS. This clever gal came up with one of the most brilliant things ever! This skirt was literally a life-changer. Now I don’t have to wear twelve million layers or ridiculous snow-pants that add twenty pounds, which means I can look cute AND be warm. Obviously perfect for all sorts of winter activities, football games, hockey games (anything in an arena), but it’s even perfect for cool summer evenings up at the cottage or around the campfire. I actually keep mine in the trunk of my car all year round, so I’m always prepared. It’s fun, unique, and as sexy as being warm can be. I get a ton of compliments when I’m wearing my TOAST SKIRT. Why am I telling you this? I’m telling you this because TOAST SKIRTS is having a sale, and because it’s the simple things in life that make us happy… like being warm, and saving money on a fantastic purchase. Do yourself a favor and check out the site today!
Archive for February, 2012
I LOVE TOAST and SKIRTS and TOAST SKIRTS!
The Sense of an Ending
Science has revealed we are not reliable witnesses, especially to our own lives. They now believe that a memory morphs every time we try to retrieve it. Memory is imperfect, mutable, and associative. We believe what we need to believe to justify our actions and reactions. We create fictions so we can avoid our truth. Many of us make choices in a brief moment and we end up paying for those decisions in what remains of our time. One decision can ripple through the rest of our lives regardless if we happen to remember the inciting circumstance.
I recently read The Sense of an Ending, written by Julian Barnes, winner of the 2011 Man Booker Prize. It is a compelling character study of the pragmatic narrator, Tony. Barnes challenges us to examine our lives, our memory and opinions, our conduct and the parts of our lives that we choose to forget. “Time doesn’t act as a fixative, rather as a solvent,” is one of Tonys thought-hatching, philosophical observations.
Tony seems genuinely surprised when forced to re-examine some of the circumstances and friendships he has long since dismissed. He is now middle-aged, living a fairly solitary life after a not unpleasant, but mediocre marriage, eroded by time, complacency, and stagnation. He confronts his old ideas, trying to piece together who he became. The author invites us to heed the warnings of those already in the late afternoon of their lives. “I thought of the things that had happened to me over the years, and how little I had made happen,” Tony muses.
This is the first book I’ve read by Julian Barnes. Barnes is exact with his words, nothing superfluous, which I appreciate. I liked his quote from the fictional historian Patrick LaGrange, “History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.”
I share an obsession with the passing of time in a subjective sense and intimations of our mortality. The extent of which time affects our memories has always fascinated me. I have memories from childhood, as young as two, three years old. They are very convincing to me, but these memories would probably be better defined as stories. All these years later, they lack documentation, some of them even lack corroboration. Barnes has successfully woven a tale that reminds us there is what we remember and there is the truth.
Creativity Prompt: Your “Weaknesses” Just May Be Your Strengths
We all have what we consider to be strengths and shortcomings—luckily, misfits have the advantage of transforming their shortcomings into creative strengths.
To be quite honest, I don’t believe in shortcomings—every personality trait we have distinguishes us from the rest of the pack—they’re only shortcomings if that’s how we look at them. More times than not, what we consider shortcomings, others find endearing, so the fact is we should too.
For example, I’m anti-social, to the point where others might consider my lifestyle to be quite dull. This used to make me feel self-conscious, because when I’d bump into friends who were busy in school, or who’d go out on weekends or on vacations, I felt like what I had to catch them up on was less than colorful. I then went on a 5-year escapade of social adventures that ultimately caused me to lose touch with who I really am… but hey, I always had something exciting to talk about! It turned out though, that what I had to say was only exciting to others, and not to me.
The truth is, I enjoy my little bubble, and it’s in this little bubble I’m able to do what I enjoy most: write. I’ve unleashed my inner nerd, and in doing so I’m able to create the life I’ve always wanted, and spend time getting to know other writers and helping them do the same.
Your shortcomings don’t have to be shortcomings—you can use them to your advantage.
Your Misfits Assignment: Compliment Your Shortcomings
Make a list of what you consider to be your shortcomings. Beside each one, consider how they can be used to benefit your creativity.
Are you “too quiet”? Consider how much more perceptive to detail you are than those who blather on endlessly—you can use being quiet as a way to readily absorb what’s around you, and use your attention to detail to better connect with your craft.
You can now take your shortcomings and make them unique qualities that help you to stand out, so when a potential freelance job comes up that you’d be perfect for, you’ll be able to apply with confidence and proof that you’re the misfit for the job.
Always Keep This Word In Mind When Writing Your Screenplay
I’m working on the third draft of my screenplay In Her Dreams, and while I write, the word I’m keeping in mind is blend.
Each scene in your screenplay has to stand on its own two feet, but they also need to blend to create one coherant, unified storyline. This sounds intimidating, but by keeping in mind the word blend while you’re writing, it alleviates complication.
In our lives, we take part in two storylines that blend into one. We are in an Outside/Action story, and an Inside/Emotional story, and one always impacts the other; both, no matter how much they conflict with each other, are always intertwined.
In knowing our characters as well as we know ourselves, when we create our screenplay’s Outside/Action story, we’ll be able to fluently blend our characters’ internal challenges and struggles into the story. While we try to avoid conflict in our personal lives, the more conflict our characters experience in our screenplay, the better (especially when two characters are experiencing the same Outside/Action story—because of their differing personal history, it’s a great way to build tension and create realistic conflict).
It is how we blend our character’s internal reactions with the external challenges they face that showcases their growth. This is my favorite part of the process, because it’s the way we humanize our characters so that our viewers will be able to connect and grow along with them. There’s that one movie we all have where no matter how many times we watch it, we finish watching it with an even better feeling than before. Use that movie as your guide, so the screenplay you’re writing will give your future viewers the same feeling of satisfaction.
As you continue throughout the writing process and keep this one word in mind, you’ll find the process will become more fluent. Plot, structure, conflict, characterization… blend.
For the Lovers and the Loners
Like you, my opinion of Valentine’s Day has been sculpted by previous experiences. My disclaimer: though at times I may seem bitter and jaded, I can be excruciatingly romantic, given the right circumstances. Even if I clam up at a compliment or gag at a nauseatingly sweet comment or gesture, on the inside-I’m total mush.
When I was growing up, my family didn’t celebrate any pagan holidays (which is pretty much all of them) because of their religious beliefs. Like any sort of textbook study in reverse psychology, this only caused me to be more fascinated. I understood all the history and meaning behind the holiday traditions and celebrations, and I didn’t care how ungodly it was: those pagans sure knew how to have FUN!
Elementary school was the best. This was a time when sheer glee was the default mental state preceding any holiday, before it was replaced with things like expectations, guilt, and stress. Like every other kid, I would gladly celebrate any break in the monotony of typical school-work. There was the anticipated afternoon party, when everyone handed out their generic, manufactured, mini-cards filled with predetermined affection and then there were treats, as far as the eye could see. I was the only kid in the class sneaking cinnamon hearts and delicately placing them on my tongue, as to not get any telling red stains on my fingertips. Those contraband party goodies- sugar never tasted so sweet.
I was shyly appreciative getting cards from the other kids. Even though they knew I didn’t celebrate, and even though they knew I had nothing for them in return, they awkwardly tried to include me. I would admire and re-read my bagful of little cards on my bus ride home, studying them long enough I could commit them to memory because I knew as soon as I walked in the door my special little cards would be tossed in trash. No explanation required; it was a foregone conclusion.
Since the first grade, my dating life has been referred to by some of my closest friends as “dodging bullets”. I haven’t made too many great choices in my life, when it comes to men. I’m usually too idealistic for my own good. I read too many classics and watched too many period films. When I was in love, it was always forever, and when I wasn’t, it was never. I’ve since learned the more subtle shades of grey.
In fifth grade, I had sort of paired up with this kid, Ian. We were “going out,” even though “going out” never meant actually going anywhere. Obviously, I wasn’t allowed to “go out”. Ian was pretty cute and seemed like an ordinary, genuinely nice boy. At the time, we were both sitting on the fringes of being popular. Every girl had a crush on the most popular boy, Don, but I figured Ian was more realistic. Plus, I already had him. Don had barely said five words to me all year.
February 14, 1985, on the playground, there was a bunch of commotion and a pack of girls breathlessly ran up to me sputtering and shrieking, “Oh my God!! Don wants to go out with you!!!” Needless to say, I was shocked. My loyalty and disappointment equally jabbed in me in the throat, “But I’m going out with Ian.”
“We already asked Ian! He said it’s OKAY!!!” Well, then, that settled it. If Ian said it was okay, I certainly didn’t need to feel bad. So I shrugged and said, “Okay,” but my nerves were burning me up, from the inside out. Just like that, in a bittersweet transaction, I had been traded away and I was now going out with the most popular boy in school. We didn’t go out, but we did sit in the hallway, on the floor together, drawing. That was pretty romantic.
With my early and inevitable inclination to all things pagan, I’ll admit, I enjoy holidays. I love having a special someone to celebrate because it gives me a chance to get my Martha on. I didn’t have the chance to enjoy that stuff while it was fun and simple in childhood. One year, when I was SO in love, I spent weeks before Valentine’s Day laboring over a beautiful handmade leather-bound book. I filled its pages with dozens of our shared emails transcribed in my flowery penmanship, the history of the holiday, complete with pen and ink drawings of Cupid, and charming quotes of children answering the simple question, “what is love?” Things like, “Love is… when you want to share your French fries.”
My painstaking, tedious project was met with (expected) awe. Then it was my turn. I was presented with a small box. Small boxes can get a gal pretty excited. However, inside this small box was the ugliest watch I had ever seen. He eagerly awaited my response as I tried not to show my disappointment. He said, “I hope you like it. As soon as I saw it, I thought of you.” I managed to squeak out, “Oh, wow. Cool. Thanks.” After mulling over the “as soon as I saw it, I thought of you” comment, I realized this guy didn’t know me at all. I’m not lazy about my affections and I’m not interested in anyone who is.
My perfect Valentine still eludes me, though 1985 was pretty close. I like eating takeout or preparing a nice meal at home. I like roses, but prefer tulips. I like candles, sexy music and a good bottle of wine. I like homemade cards and heartfelt, thoughtful gifts. I like love and love making fond memories. One of my most amusing Valentines, thus far, involved my to-die-for Flourless Chocolate Cake and a romp that ended in the utter destruction of my antique bed. It wasn’t love, but it was mutual like and fun, and there is something to be said for a naked man, gentleman enough to try and fix the bed.
What is your most memorable Valentine?






